≡Nickhits≡ Watch Stream Inglourious Basterds
Liked It=1203382 Vote. . duration=153 M. Directed by=Quentin Tarantino. Stars=Mélanie Laurent. writer=Quentin Tarantino⊛⬇✶✲∞♥✱✲✻✲⊛♧✯https://zdf-de-mediathek.com/watch/1095⍟⦂≈⟰✷✼♦♢♡♤✹♲✷ Some of you might disagree but I think he knew who she really is3:26 is precisely the moment my balls dropped.06:53, you can just feel the shock and all emotion.Watch stream hanebný panchartir. Landa Enters Shoshana: Stress level 100.Stream directly to your PC, Mac, Gaming console and handheld devices.The Basterds? Never heard of them. That's the whole point if the Secret Service, old boy. You 'not hearing of them. I love Mike Myers in this scene.Cobb is stuck in a actually run the Inception on Cobb to wake him up. They trick him to allow them into the deepest layers of his mind. The Inception needs to take place on multiple levels ( 51:11. Deep down Cobb confronts the unreality of his projection of Mal. Then in limbo he tells Saito they are dreaming. That is the true Inception.Even though hes the bad guy that “bravery” while looking his death in the face. TOUGH. Watch stream hanebný panchartite. When I first saw this scene I thought it was a homage to Peter Sellers. Maybe my brain cells are half dead. I don't get this movie. Too hard to follow. Then why doesn't Arthur's time slows down too like it slows down for the van? Each dream down the layer should be faster than the previous one meaning dreams should inversely slow down further up as the dream layer gets deeper. The movie was not shot in such way though. Arthur continues to move at the same speed than the others two dreams further down. You get that for killing jews? Bravery. Me: OHHHHH. This is basically British squared. SynopsisOnce upon a time in Nazi occupied France...In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.CastCrewDetailsGenresDirectorProducersWriterEditorCinematographyProduction DesignArt DirectionSet DecorationSoundCostumesMake-UpStudiosCountriesLanguagesAlternative TitlesBastardos sin gloria, Serefsiz Alçaqlar, Гадни копилета, Bastardos Inglórios, Бясслаўныя вырадкі, Le commando des bâtards, 惡棍特工, Bastardos Sin Gloria, Hanebný pancharti, Vääritud tõprad, Malditos Bastardos, Maleïts Malparits, Kunniattomat paskiaiset, Άδωξοι Μπάσταρδη, Nemilosrdni gadovi, Becstelen Brigantyk, پست فطرت های لعنتی, Bastardi senza gloria, イングロリアス・バスターズ, 바스터즈-거친 녀석들, 바스터즈: 거친 녀석들, Negarbingi šunsnukiai, Bękarty wojny, Sacanas Sem Lei, Ticalosi fara glorie, besslavnyye ublyudki, Бесславные ублюдки, Neslavne barabe, Nehanební Bastardi, Soysuzlar Çetesi, Безславнi виродки, Inglorious Basterds, Inglourious Bastards, The Inglorious BastardsPopular reviewsMore92 [Removed by admins. ] Letterboxd didn't approve of my original review wishing for the return of The Basterds and the swift, brutal end of fascism in 2019 America so here's this: MOVIE GOOD. NAZIS BAD.me in 2009: wow! something we can all agree on is that nazis are bad! what a horrifying period in history! haha brad pitt's really hot in this movie! me in 2017: My name is Lt. Aldo Raine and I'm putting together a special team, and I need me eight soldiers. Eight Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only... killin' Nazis. Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn…shosanna dreyfus laughing while a theater full of nazis are screaming in agonizing pain is by far the most beautiful thing I've ever heardwhat’s better than this, guys killin nazis“i think this just might be my masterpiece” AND IT ISyou can tell that quentin tarantino would just loooooove to be murdered. his cameo in this movie is “dead guy getting scalp sliced off”. he gets killed like right away in reservoir dogs. in django unchained he quite literally explodes! what if one day the mf just dies in his sleep we’d all be like:/Recent reviewsI hate giving so many movies in a row such high praise, you might think I was ign. This movie however, deserves its 5 star rating without controversy.that’s a pretty exciting story what’s next eliza on ice?Tarantino's best film in my opinion. Such a great movie, I couldn't look away from the screen! The ending is a delight. BRAVO! 😍every one of brad pitt’s lines was funnier than every single sitcom on television right now combinedI should have studied the history of these countries before watching. I was scared when Shosanna was killed by Frederick! That scene was the most terrible. And I like the last scene."I think this just might be my masterpiece. " Not really Quentin, maybe I'll like it more in a second watch.i must say, damn good stuff, sirAGHHHHHHLOVELOVELOVE!!!!!!!!Can’t believe Christoph Waltz invented actingPopular Lists500 movie posters the name speaks for itself also ik there’s other lists out there that are very similar but i’ve always wanted…. He's just one fine, humble and great actor. I would love to see him get more Oscars in the future.Quentin Tarantino ’s “Inglourious Basterds” is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he’s the real thing, a director of quixotic delights. For starters (and at this late stage after the premiere in May at Cannes, I don’t believe I’m spoiling anything), he provides World War II with a much-needed alternative ending. For once the basterds get what’s coming to them. From the title, ripped off from a 1978 B-movie, to the Western sound of the Ennio Morricone opening music to the key location, a movie theater, the film embeds Tarantino’s love of the movies. The deep, rich colors of 35mm film provide tactile pleasure. A character at the beginning and end, not seen in between, brings the story full circle. The “basterds” themselves, savage fighters dropped behind Nazi lines, are an unmistakable nod to the Dirty Dozen.And above all, there are three iconic characters, drawn broadly and with love: the Hero, the Nazi and the Girl. These three, played by Brad Pitt, Christoph Waltz and Melanie Laurent, are seen with that Tarantino knack of taking a character and making it a Character, definitive, larger than life, approaching satire in its intensity but not — quite — going that far. Let’s say they feel bigger than most of the people we meet in movies. The story begins in Nazi-occupied France, early in the war, when the cruel, droll Nazi Col. Hans Landa (Waltz) arrives at an isolated dairy farm where he believes the farmer ( Denis Menochet) is hiding Jews. He’s right, and a young woman named Shosanna (Melanie Laurent) flees into the woods. It is for this scene, and his performance throughout the movie, that Christoph Waltz deserves an Oscar nomination to go with his best actor award from Cannes. He creates a character unlike any Nazi — indeed, anyone at all — I’ve seen in a movie: evil, sardonic, ironic, mannered, absurd. The Hero is Brad Pitt, as Lt. Aldo Raine, leader of the Basterds. Tarantino probably wants us to hear “ Aldo Ray, ” star of countless war films and B pictures. Raine is played by Pitt as a broad caricature of a hard-talking Southern boy who wants each of his men to bring him 100 Nazi scalps. For years, his band improbably survives in France and massacres Nazis, and can turn out in formal eveningwear at a moment’s notice. Pitt’s version of Italian is worthy of a Marx brother. The Girl is Shosanna, played by Laurent as a curvy siren with red lipstick and, at the film’s end, a slinky red dress. Tarantino photographs her with the absorption of a fetishist, with closeups of shoes, lips, a facial veil and details of body and dress. You can’t tell me he hasn’t seen the work of the Scottish artist Jack Vettriano, and his noir paintings of the cigarette-smoking ladies in red. Shosanna calculatingly flirts with Frederick Zoller ( Daniel Bruhl), a Nazi war hero and now movie star; he persuades Joseph Goebbels to hold the premiere of his new war film in her theater. This sets up a plot that includes Tarantino breaking several rules in order to provide documentary footage about how flammable nitrate film prints are. A Tarantino film resists categorization. “Inglourious Basterds” is no more about war than “ Pulp Fiction ” is about — what the hell is it about? Of course nothing in the movie is possible, except that it’s so bloody entertaining. His actors don’t chew the scenery, but they lick it. He’s a master at bringing performances as far as they can go toward iconographic exaggeration.After I saw “Inglourious Basterds” at Cannes, although I was writing a daily blog, I resisted giving an immediate opinion about it. I knew Tarantino had made a considerable film, but I wanted it to settle, and to see it again. I’m glad I did. Like a lot of real movies, you relish it more the next time. Immediately after “Pulp Fiction” played at Cannes, QT asked me what I thought. “It’s either the best film of the year or the worst film, ” I said. I hardly knew what the hell had happened to me. The answer was: the best film. Tarantino films have a way of growing on you. It’s not enough to see them once.Roger EbertRoger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.Inglourious Basterds (2009)Rated R153 minutes. I was todays years old when I realized that Eli Roth was an actor. UNLIMITED TV SHOWS & MOVIES SIGN IN A Jewish cinema owner in occupied Paris is forced to host a Nazi premiere, where a group of American soldiers called the Basterds plans a face-off. Starring: Brad Pitt, Mélanie Laurent, Christoph Waltz Watch all you want for free. This Quentin Tarantino classic features Brad Pitt and an Oscar-winning performance by Christoph Waltz. More Details Watch offline Available to download Genres Action & Adventure, Action Thrillers, Spy Action & Adventure, Military Action & Adventure This movie is... Violent, Irreverent, Forceful, Suspenseful Audio English [Original], English [Original], Spanish, Spanish Subtitles English, Spanish Cast Brad Pitt Mélanie Laurent Christoph Waltz Eli Roth Michael Fassbender Diane Kruger Daniel Brühl Til Schweiger Gedeon Burkhard Jacky Ido B. J. Novak Sylvester Groth Martin Wuttke More TV Shows & Movies Coming Soon. Not only we have Inglourious Basterds movie but also you can get the subtitles in English, French, Italy, and other languages with movie in HD, SD,HD, DVDrip available.Q uentin Tarantino is having what Martin Amis readers might call a "Yellow Dog" moment - something which happens when, following a worrying, mid-to-late period of creative uncertainty, a once dazzlingly exciting artist suddenly and catastrophically belly-flops, to the dismay of his admirers. His new film is a cod-second world war adventure about a Jewish-American revenge squad sent into occupied France to spread terror among Nazis. Brad Pitt plays their leader, Lt Aldo Raine, and Eli Roth, the director of Hostel, is his ferocious second-in-command Sgt Donny Donowitz; Diane Kruger plays a German movie star called Bridget Von Hammersmark who has secret quasi-Dietrich sympathies with the Allies, and Michael Fassbender plays Lt Archie Hicox, a cucumber-cool British commando who in civvy street was, of all things, a film critic. Mélanie Laurent plays Shosanna Dreyfus, a beautiful young Jewish woman who has had to change what in France is a resonant surname; she owns the Parisian cinema at which the Nazi top brass, including the Führer himself, will assemble for one of Goebbels's propaganda movies. Here is where the Basterds hope to make their hit: but opposing them is the chilling SS Colonel Hans Landa, nicely played by Tarantino's personal casting discovery Christoph Waltz, who won the best actor award at Cannes for this performance. It is notionally inspired by a 1970s B-movie called Quel Maledetto Treno Blindato, otherwise The Damned Armoured Train, renamed Inglorious Bastards for its American release: a war picture in the Dirty Dozen style by Italian director Enzo Castellari. But Tarantino's debt is much more obviously to Sergio Leone, weirdly mulched in with Mel Brooks. Having seen it once in Cannes earlier this year, and again for its UK release I was struck afresh by how exasperatingly awful and transcendentally disappointing it is: a colossal, complacent, long-winded dud, a gigantic two-and-a-half-hour anti-climax, like a Quentin Tarantino film in form and mannerism but with the crucial element of genius mysteriously amputated. Over-stretched scene follows over-stretched scene in plonkingly conventional narrative order and each is stuffed with dull dialogue which made it feel like Mogadon was somehow being pumped into the cinema's air-conditioning. The cut is now marginally different from that which premiered in Cannes, slightly longer in fact, and there appears to be a new introduction to the unendurably, unbelievably tedious scene set in a beer cellar where the actors play a guessing-game with playing cards. There's no doubt that the 52-year-old Waltz - an Austrian-born actor who had been plying his trade on TV until Tarantino plucked him from the ranks - is a real find, and Mélanie Laurent also deserves this leg-up to stardom. But they can't make any real difference, and Brad Pitt gives the most wooden and charmless performance of his life; he acts and speaks as if the lower half of his face is set in concrete. Now, it is misleading to complain about boredom, when we all know how Tarantino can alchemise this into something special. In Pulp Fiction two hitmen famously put the exciting business of murder on hold while they discussed dull things like what Europeans call a quarter-pounder. But there the ostensible banality was sexy, funny and above all intentional, and the director could in any case turn the action on a sixpence into something thrilling or horrifying whenever and wherever he felt like it. He exemplified Don DeLillo's maxim about America being "the only country in the world with funny violence". But here the boringness is just boring, and the violence doesn't get gasps of shock, just winces of bafflement and distaste - and boredom. Tarantino just seems to have lost his cool, lost his mojo. When I saw Inglourious Basterds at Cannes, my traumatised complaint was that it fails as conventional war movie, as genre spoof, as trash and as pulp. Since then, its defenders have claimed that the point of the film is that it is "kosher porn": an over-the-top revenge fantasy for Jews. Well, erm, maybe. But it might simply have the highly un-porny effect of reminding us what actually happened. And if "kosher porn" was the point, wouldn't it have been better to make the Basterds' leader actually Jewish? Instead of which, their CO is Brad Pitt, the good ol' boy from Tennessee, a part of the world in which progressive sympathies with European Jewry are - how can I put it? - atypical. Even this, moreover, isn't exactly the point. Wildly bad-taste ahistorical fantasies about Nazi Germany are great: but here they are nullified by middlebrow good-taste cinephile stuff referencing UFA, Emil Jannings etc, in which the details of course have to be exactly right. Tarantino's genius always lay, for me, in his audacious and provocative adventures in style, making generic textures bubble and react. His great riffs were sublime, similar to what Godard saw in Nicholas Ray: pure cinema. What happens when these surfaces fail to fizz? You get what you have here: great heavy lumps of nothing. I have always deprecated the growing and rather supercilious critical consensus that the Master's best film is Jackie Brown - a good film, yes, but uncharacteristic, and without the brash inspiration of Reservoir Dogs, Pulp Fiction or the late-flowering delirium of Kill Bill. Yet maybe this is the sort of thing that Tarantino should now work on: solid adaptations to steady and re-settle his greatness. That could be a way to put his mojo-loss into remission and return to the glory days. • Blog: David Cox on why Inglourious Basterds is cinema's revenge on reality. Extensive discussion (and depiction) of the pursuit of vengeance and of the role that rumor and fear play in psychological warfare. The film's discussion of the Nazis' extermination of Jews is glossed over in the context of a rock-'em, sock-'em action film.Positive Role Models & Representations The movie's characters are either coldly efficient killing machines or hot-headed murderers... with a few decent people along the way to suffer at the hands of said killers and murderers.Strong, brutal, bloody violence throughought, including both war violence (gunfights, shootings, and more) and brutal close-quarters encounters (deliberate mutilation with knives, throat-slashings, scalping). A man is beaten to death with a baseball bat on camera. A woman is shot at point-blank range. A German officer is shown being obliterated by machine-gun fire, bullets pulverizing his body and face into a bloody mass. A man drives his finger into a woman's bullet wound to elicit cooperation and information. Soldiers and civilians are machine-gunned; others die in a house-fire.A few seconds of clothed sexual activity are shown for comedic effect, with no nakedness; some suggestive dialogue.Constant swearing and strong language, including "f--k, " "motherf--ker, " "s--t, " "goddammit, " "bastards, " "ass, " "damn, " "hell, " and more. "Jew, " Nazi, " "Apachem, " and "Negro" are all used, both as descriptive phrases and as insults.Some mentions of brands like Coca-Cola.Drinking, Drugs & Smoking Characters drink beer, wine, champagne, and hard liquor, sometimes to excess. Characters also smoke cigarettes extensively (accurate for the era), use snuff, and smoke pipes. The medical use of morphine is discussed.Can we create an award for “best supporting strudel?”. It says here that you speak German fluently. Yes sir. In that case, what is the German word for the number six? Sechs. Groovy baby.Every second is pictured, acted and composed to perfection. I put his portrayal of that character near Ledgers Joker.
出産・子育て
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