Project Free TV Tarde Para Morir Joven Watch Stream

2020.05.02

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Chile
directed by=Dominga Sotomayor Castillo
Antar Machado
genre=Drama
904 vote.

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Tarde para morir joven subtitles.
I wake up in the morning And I raise my weary head I've got an old coat for a pillow And the earth was last night's bed I don't know where I'm going Only God knows where I've been I'm a devil on the run A six gun lover A candle in the wind, yeah When you're brought into this world They say you're born in sin Well at least they gave me something I didn't have to steal or have to win Well, they tell me that I'm wanted Yeah, I'm a wanted man I'm a colt through your stable I'm what Cain was to Abel Mister catch me if you can I'm going down (down) in a blaze of glory Take me now but know the truth I'm going out (out) in a blaze of glory And Lord, I never drew first but I drew first blood I'm no one's son, call me young gun You ask about my conscience And I offer you my soul You ask if I'll grow to be a wise man Well I ask if I'll grow old You ask me if I've known love And what it's like to sing songs in the rain Well I've seen love come, I've seen it shot down I've seen it die in vain Shot down (down) in a blaze of glory Take me now but know the truth 'Cause I'm going down (down) in a blaze of glory Lord, I never drew first but I drew first blood I'm the devil's son, call me young gun, na. yeah.

With this gorgeously textured childhood memoir, Chilean filmmaker Dominga Sotomayor became the first-ever woman to win the best director prize in Locarno.
The third feature from Chilean director Dominga Sotomayor ( Thursday Till Sunday, Mar) was inspired by her own childhood and looks at the summer of 1990, right after the fall of Pinochet at the end of 1989. Though her latest, Too Old to Die Young (Tarde para morir joven), isn’t an overtly political work, focusing as it does on a 16-year-old in a bucolic, commune-like setting, the epoch’s cautious, somewhat uncertain optimism does find its parallels in the travails of a young girl who, like her country, is slowly trying to come into her own.
Though more an atmospheric and sensorial experience than strictly a narrative one, this languorous and handsomely produced (by Call Me by Your Name producer Rodrigo Teixeira) feature is a lovingly textured addition to the coming-of-age genre. It earned Sotomayor best director honors at the Locarno International Film Festival, making her the first woman to do so in the fest’s 71-year history. It is also part of the main slate of this year's New York Film Festival.
Sofia (newcomer Demian Hernandez), a 16-year-old girl, has recently moved to an improvised new village in the foothills of the Andes, where the adults hope to improve on life in the big city and under the dictatorship. The homes are still under construction and only have transparent plastic instead of proper walls; water pipes cause problems and there is a discussion about whether and how electricity should be brought to the community. But there is also a sense of liberty and carefree living that especially the children seem to fully take advantage of. Since Sotomayor is frequently in full-on observational mode, some of the film’s strongest moments are seemingly “stolen” ones, like a prolonged shot of a little kid in clothes just a little too big, dancing during a party like he’s all alone in the room.
Young kids seem to enjoy their almost unlimited freedom to play around on the dance floor, outside in the water or in the nearby fields and forests, but adolescents like Sofia have a slightly harder time. On top of her growing pains, she knows what potentially lies ahead should she ever get into a relationship, since her father (Andres Aliaga), a luthier with a scraggly beard whom she accuses of egotism, took her to the commune, but he lives separated from Sofia’s mother, a musician with whom the teenager hopes to move in. His laconic response: “Have you asked her if she wants you there? ” Clearly, her parents aren’t the greatest example of how to conduct an adult relationship.
That said, boys are still a fascinating species and there is an older guy, Ignacio (Matias Oviedo), that Sofia becomes interested in, much to the chagrin of Lucas (Antar Machado), who is just as old as Sofia and is clearly pining for her. While she thinks nothing of jumping into a car and speeding off, even though she’s not old enough yet to have a driver’s license, Lucas can’t muster much more than to awkwardly ride shotgun beside her, probably making him look even less cool in her eyes. That said, from there to actually conquering Ignacio is quite a different story for Sofia.
Hernandez, who is about four years older in real life, delivers a knockout performance as Sofia; she's naturalistic, restrained and taciturn without losing any of the character’s expressiveness. Two of her most telling scenes are entirely without dialogue and almost mirror each other. In the first, about midway through, Sofia takes a bath in a tub, while the smoke of her cigarette intermingles with the steam coming off the hot water. Beyond being one of cinematographer Inti Briones' ( The Blind Christ) most mesmerizing images, it implies a studiedness to the way Sofia carries herself, even when alone, which suggests she’s trying to act out the role of an adult (she has already declared that her parents “need to get used” to the fact that she smokes, suggesting that she sees lighting up as a marker of adulthood). The second time she is bathing, it is in a mountain stream while a wildfire roars in a nearby forest. Surrounded by nature, it has become clear that Sofia has naturally turned into the adult she so painstakingly tried to be earlier on.
Taken together, the two similar yet in many ways tellingly different images create meaning. Sotomayor and editor Catalina Marin splice in another two breathtaking images at different points in the film that seem to mirror each other, this time long tracking shots that follow a running Frida, the dog of 10-year-old Clara (Magdalena Totoro). While she initially gets lost and seems to end up in the city again, the animal later wisely escapes from the forest fire. Is Frida a symbol for Chile, for Sofia or just a dog? Whatever the case may be, it is undeniable that for Sofia, Frida and the country, there was a time before and after the summer of 1990, and that that idea is elegantly expressed through the use of these images-with-variations that capture the protagonists at different turning points in their lives.
More generally, it can be said that Briones’ beautifully composed and finely grained cinematography is the standout craft contribution, with its relatively boxy aspect ratio and desaturated color scheme gently suggesting the past even as the production and costume design try to counterbalance this tendency through the use of not-too-time-specific items and materials. These choices help Sotomayor create a dreamy sense of almost present-tense memories — also reflected in the film's title — that helps to reinforce the notion this particular story has relevance now as well, and any historical-political happenings are finally just background noise to the hard work that is growing up and finding yourself.
While the children and teens are all unknowns, there is at least one recognizable face for Chileans and hawk-eyed international art house patrons, as Antonia Zegers, Pablo Larrain’s actress wife and frequent star, plays one of the commune’s mothers.
Production companies: Cinestacion, RT Features, Ruda Cine, Circe Films, Primate Lab
Cast: Demian Hernandez, Antar Machado, Magdalena Totoro, Matias Oviedo, Andres Aliaga, Antonia Zegers, Alejandro Goic, Mercedes Mujica, Eyal Meyer, Gabriel Canas, Michael Silva
Writer-director: Dominga Sotomayor
Producers: Rodrigo Teixeira, Dominga Sotomayor
Executive producers: Omar Zuniga, Sophie Mas, Daniel Pech
Director of photography: Inti Briones
Production designer: Estefania Larrain
Costume designers: Felipe Criado, Estefania Larrain
Editor: Catalina Marin
Casting: Francisca Castillo
Venue: Locarno International Film Festival (Competition)
Sales: Stray Dogs
In Spanish
110 minutes.

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Release Date: May 31st, 2019
Not Yet Rated
| 1 hr 50 min Follow the movie on
Facebook Plot Summary During the summer of 1990 in Chile, three kids face their first loves and fears. Cast: Demian Hernández, Antar Machado, Magdalena Tótoro, Matías Oviedo, Andrés Aliaga, Antonia Zegers, Alejandro Goic, Eyal Meyer Director: Dominga Sotomayor Castillo Genres: Drama Production Co: RT Features, Circe Films More on Wikipedia.

Ouvir essa musica, e mesmo que Volta so passado e ver que o presnte e muito bom boa musica mesmo com os cabelos grisalhos, Bon jovi continua o mesmo.
Too Late to Die Young (Tarde para morir joven) Reviews
Movie Reviews By Reviewer Type
All Critics
Top Critics
All Audience
Page 1 of 3
March 6, 2020
A coming-of-age and slice-of-life drama set in Chile.
February 6, 2020
Visually, Castillo's hazy, nostalgic look back at this key period in the country's recent history is akin to watching events as seen through a series of washed out Polaroid pictures.
October 20, 2019
Dominga Sotomayor returns to the nostalgia of childhood and finds space, even, for reverie and convention. [Full Review in Spanish]
October 1, 2019
I love this perfectly lovely little movie.
September 26, 2019
A tender portrait of children deserting their fidelity to the optimism in which they can no longer believe.
September 11, 2019
Watching Too Late to Die Young felt like being carried by a gentle stream. It has a dreamlike, even-keeled quality one doesn't find in many Hollywood movies.
August 29, 2019
We observe, invited to share if we can escape our conventional world for theirs.
July 31, 2019
The stillness of the camera allows the viewer to experience these peoples' surroundings, a peacefulness that welcomes you in and makes you want to stay... for a while, at least.
July 26, 2019
Focusing on giving a sincere portrayal of adolescence, Too Late To Die Young professes a turbulent intimacy with controlled pace and assured narrative construction.
July 11, 2019
Much like life itself, it is a meandering, seemingly directionless tale but no less enrapturing for it; moments of breathtaking beauty are woven in with the mundane everyday to create a vibrant tapestry of life on the cusp of great change.
July 10, 2019
Too Late weaves its own spell, one that will resonate with many people who were once young and are starting to forget what that was all about.
July 1, 2019
It's because of this exhaustive development of nostalgia... that you can forgive the script that at times resorts to broad strokes. [Full review in Spanish]
The director Dominga Sotomayor works the plot always with discretion and malice. [Full Review in Spanish]
June 17, 2019
Too Late to Die Young's strengths lie in the expansiveness of both its portraiture and its mise en scène: while Hernández gives a moving, nuanced performance, Sofia's emotional turmoil is more affecting for being placed against those around her
June 10, 2019
It's a film that plays like a dream remembered, floating in and out of lives and conversations, having both a warmth and, come the final act, a shattering sense of reality that leaves the viewer utterly shellshocked.
For better and worse (mostly better), Too Late To Die Young is a mood movie, situated on an emotional precipice.
"Too Late to Die Young" almost has a timeless quality to it, a period unencumbered by outdated tech and dusty cultural references. But this dreamy world would not exist without the outside forces that go unmentioned.
June 8, 2019
[Hernández] gives a brave and vulnerable performance, capturing the raw hunger that Sofia feels for life and love.
June 6, 2019
"Too Late to Die Young" doesn't pretend to show us everything, which makes it all the more remarkable just how much it sees.
There's little plot in the traditional sense and much is purposely left unexplained. The movie feels like something culled from memory.
Page 1 of 3.

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During the summer of 1990 in Chile, a small group of families lives in an isolated community right below the Andes, building a new world away from the urban excesses, with the emerging freedom that followed the recent end of the dictatorship. In this time of change and reckoning, 16-year-old Sofía and Lucas, and 10-year-old Clara, neighbors in this dry land, struggle with parents, first loves, and fears, as they prepare a big party for New Year’s Eve. They may live far from the dangers of the city, but not from those of nature.
Cast & Crew
Director:
Dominga Sotomayor Castillo, Estefania Larrain
Writer:
Dominga Sotomayor Castillo.

Que es en primer cantare en la pelicula?porfovar!no puedo find it.
Recomendada solo para quienes entiendan el cine tipo arte y ensayo donde no hay roles actanciales, mucho menos un nudo o un correcto desenlace. Tiempos muertos, personajes de carne y hueso, atmósfera y mucho de poesía. La interpreto como una cruel y valiente crítica a la vida idealizada de las comunidades alternativas y el post hipismo tan de moda en estos días. El nombre le calza perfecto. Puede ser duro cuando eres demasiado joven y careces de los argumentos para asumir la vida alternativa que te ofrecen tus padres.
LYRICS I wake up in the morning And I raise my weary head I've got an old coat for a pillow And the earth was last night's bed I don't know where I'm going Only God knows where I've been I'm a devil on the run A six gun lover A candle in the wind When you're brought into this world They say you're born in sin Well at least they gave me something I didn't have to steal or have to win Well they tell me that I'm wanted Yeah, I'm a wanted man I'm a colt in your stable I'm what Cain was to Abel Mister catch me if you can I'm going out in a blaze of glory Take me now but know the truth I'm going out in a blaze of glory Lord I never drew first But I drew first blood I'm no one's son Call me young gun You ask about my conscience And I offer you my soul You ask if I'll grow to be a wise man Well I ask if I'll grow old You ask me if I've known love And what it's like to sing songs in the rain Well, I've seen love come And I've seen it shot down I've seen it die in vain Shot down in a blaze of glory Take me now but know the truth 'Cause I'm going down in a blaze of glory Lord I never drew first But I drew first blood I'm the devil's son Call me young gun Each night I go to bed I pray the Lord my soul to keep No I ain't looking for forgiveness But before I'm six foot deep Lord, I got to ask a favor And hope you'll understand 'Cause I've lived life to the fullest Let this boy die like a man Staring down a bullet Let me make my final stand Shot down in a blaze of glory Take me now but know the truth I'm going out in a blaze of glory Lord I never drew first But I drew first blood And I'm no one's son Call me young gun I'm a young gun Young gun, yeah yeah yeah Young gun.

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