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⊛⊛ ✵✵✵✵✵✵✵✵⊛⊛ ⊛⊛ https://www.zdf-de-mediathek.com⊛⊛ §§§§§§§§ Actors - Alexa Demie Traces the journey of a suburban family - led by a well-intentioned but domineering father - as they navigate love, forgiveness, and coming together in the aftermath of a loss countries - Canada genre - Drama Release Year - 2019 2 h 15 M. Watch Full Waves - Le onde della vitale. Watch Full Waves - Le onde della vita e. The story was very beautifully laid out and real; and it definitely brought tears but the cinematography was a bit much at times for dramatic effect I think. I would recommend this movie for awesome story and wonderful acting; but not for the effects.Watch Full Waves - Le onde della vista mini. Watch full waves - le onde della vita. Watch Full Waves - Le onde della vita nuova. Watch Full Waves - Le onde della vitae. Watch full waves - le onde della vital. "Your father doesn't mean to act that way, Lou(Barbara Rush) the consummate fifties-era wife, loyal and self-effacing, explains patiently to Richie(Christopher Olsen) her verbally-abused son, who shouts through tears: I hate him! While Ed Avery(James Mason) steps outside the boy's bedroom for a moment, the mother sneaks Richie a glass of milk to quickly down, before he resumes the heated math lesson, an exercise in pedagogy as torture. It's the cortisone, Lou explains, a miracle drug that Dr. Norton(Robert Simon) prescribed Ed for his seriously-inflamed arteries, a condition called polyarteritis nodosa, which gives him delusions of grandeur and violent mood swings, side effects brought upon by the user taking more than the advised dosage. "Bigger Than Life" directed by Nicholas Ray, adapted from Berton Rouche's "New Yorker" article about the dark side of prescription drugs, is an early forerunner to Trey Edward Shults' Waves" which intriguingly presents the pharmaceutical as a danger that's deliberately obtuse; a red herring, for some. Since cortisone puts Ed out of commission, Pat asks her son to be the de facto man of the house. In a role-reversal, no doubt, strange to an average moviegoer in 1956, the boy goes through his father's folded garments, like Ed is some juvenile delinquent, and finds what he was looking for, a bottle of cortisone secreted away behind the top dresser drawer. Richie looks up, just in time to see the enraged man-child fill a small vanity mirror, staring down the child-adult like he was a complete stranger. Cortisone addiction excuses Ed's overture to murder the boy with a knife, just stopping short of entering the room after charging up the stairs. Wally Gibbs(Walter Matthau) Ed's middle-school colleague, intervenes on Richie's behalf after the father regains his bearings. The physical education teacher saves the day, but even if his arrival came too late, the blood on Ed Avery's hands would be forgiven. His wife had already exonerated him of all culpability. Lou lets her husband off the hook. Medical science is to blame. It's those damn pills.He signed up for this. Tyler(Kelvin Harrison Jr. a high school wrestler, trains with his father, Ronald(Sterling K. Brown) a buff, no-nonsense taskmaster, because he wants to earn an athletic scholarship at a first-tier college with a first-tier athletic program. The father impresses on Tyler that being ordinary isn't enough for a person of color; he must outwork his teammates, mostly white, but it's not as if the family is starving. Ronald Williams and his wife Catherine(Renee Elise Goldsberry) can afford to pay college tuition for both children, including Emily(Taylor Russell) Tyler's younger sister. On some level, Ronald just enjoys being a sadist. Not only does the son train with his father, he also works with Ronald Williams, who is the foreman of a construction company. For all of the father's bombastic talk about being your own man, technically, he would be nothing without Catherine, his boss. She owns the company. Deep-seated feelings of inadequacy could be the cause for Ronald's overcompensation, pushing Tyler so hard, he never discloses to anybody, his serious career-threatening injury, a Level 5 SLAP tear, because failure is not an option, a tenet ingrained so deep by his father that the idea of quitting never crosses the young man's mind. Ronald, an alpha male to start with, the addition of pain-relieving medicine inflates his already overblown ego to proportions that, inevitably, causes problems that nobody can quite get a handle on, during the whole of the film's running time. Tyler has his own prescription. Like father, like son; no pain, no gain, but both men need OxyContin to take the pain away. Unlike Richie, who makes an attempt at confiscating his father's cortisone, seeing how it alters the man's personality, Tyler never sees it, confusing tyranny for machismo, when he steals a few opioids from Ronald's medicine cabinet. Tyler can't tell where man leaves off and man under the influence begins, because he grew up to be just like him, victims, both, of a culture based on toxic masculinity. His father is complicit; he knows it's not Catherine pilfering the OxyContin. The mother misses all the warning signs, regarding her loved ones' aggressive, sometimes antisocial behavior, both husband and son, as being a symptom of boys just being boys. Nothing unusual about arm-wrestling right there, right now, on a crowded table strewn with dishes partially-filled with uneaten food, crumpled napkins, and utensils, in a bustling diner where waitresses and other customers are walking abound; nothing, surely, that would indicate a drug problem. The father wins the match. Tyler looks agonized by the one-sided victory. This pursuit of a competitive edge morphed into living on the edge. Neither son nor father ever stops to consider the toll that wrestling takes on a young body. Ronald is too busy living vicariously through Tyler's achievements. Every medal that goes around his son's neck offsets Ronald's feelings of emasculation caused by being dependent on Catherine. Tyler is not her biological son. He built this wrestling champion on his own. Tyler's success on the wrestling mat makes him feel bigger than life.Lou drives her husband to school. "Well, here we are again- male schoolmarm, Ed jokes, a little sheepishly, as he exits the car. The visual metaphor for Ed's impotence as a breadwinner encapsulates itself in the form of a deflated football, a souvenir from his glory days as a benchwarmer-turned-hero-for-a-day, which Richie helps him pump up with, another metaphor, hot air. In return, Ed pumps his son up, throwing hard spirals in the backyard that the boy can't handle. It's no way for a father to act, but he has the built-in excuse of drug addiction, even when he declares" God was wrong, when Lou reminds her husband that Abraham didn't follow through with his intent to murder Issac, the son. Likewise, it's no way for a potential father to act, in "Waves" when Tyler stalks Alexis(Alexa Demie) his pregnant ex-girlfriend, at an after-prom party, under the influence of opioids. Alexis had ended her association with Tyler after an ugly row in his truck, following their visit to an abortion clinic, where she underwent misgivings about going through with the procedure to her boyfriend's considerable dismay. Potty-mouthed and misogynistic, the audience hardly recognizes the Tyler we saw at the outset of "Waves" during happier times, when Tyler and Alexis drive to the beach, looking very much in love. This display of unprecedented ugliness, the audience gauges, is not completely wrestling-related. It's the Oxycontin. Alas, instead of a reconciliation, Tyler ends up hitting the girl in the side of her head, killing both mother and the unborn baby. Tyler gets his abortion, after all, but with a price to pay that he can't afford. The audience knows therein lies a connection between the painkiller and his actions, but nobody in "Waves" does. Nobody onscreen, like Lou, Richie's mother, in "Bigger Than Life" tells us how we should feel about Tyler. The viewer decides if blame should be ascribed to the individual or the drug company, or some amalgamation of the two.Emily needs an excuse for Alexis' violent end, more so than anybody. In "Bigger Than Life" Ed Avery locks his wife in a closet before he ascends the stairs with an intent to kill their son. Emily, however, is wracked with guilt, because she sat frozen on the couch, instead of intervening on Alexis' behalf by stopping her brother's progress towards the forthcoming murder scene, and perhaps, in doing so, avert a senseless tragedy. She didn't want to cause any waves.Does it matter, though? It's a cold comfort for all parties concerned. It won't bring Alexis back. Tyler has to serve thirty years, regardless, pills' fault or not, before he is eligible for parole. "Waves" is set in a time before anybody knew about the danger that opioids presented.Only the pharmaceutical industry knew.Watch Full Waves - Le onde della vitamines. 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