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2020.02.27
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Projected Shadows : Psychoanalytic Reflections on the Representation of Loss in European Cinema

Projected Shadows : Psychoanalytic Reflections on the Representation of Loss in European Cinema






Published Date: 30 Jul 2007

Publisher: Taylor & Francis Ltd

Language: English

Format: Paperback::212 pages

ISBN10: 0415428173

ISBN13: 9780415428170

Imprint: ROUTLEDGE

File size: 23 Mb

Filename: projected-shadows-psychoanalytic-reflections-on-the-representation-of-loss-in-european-cinema.pdf

Dimension: 159x 235x 16mm::340g

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Projected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focussing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom and loss through death. Many other themes
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FEMINISTA is a lively and inspiring feminist road movie that explores the largely unrecognized yet hugely vibrant pan European feminist movement. Filmmaker Myriam Fougère joined an international group of young feminists who were traveling across twenty countries from Turkey to Portugal, the way of the Balkans, to Italy, Spain and Portugal to make connections and unite forces with other women. She
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last epff3, when the theme of loss could be identified in several films, panel discussions and lectures. These presentation, the way, are now collected in Projected Shadows. Psychoanalytic reflections on the representation of loss in European cinema, a volume I have recently edited for Routledge.
University of California, Los Angeles, School of Medicine Projected Shadows: Further Psychoanalytic Sight and Sound in Szabo's Sunshine: The Cinematic Representation of. Historical Psychoanalytic Reflections on European Cinema.
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Hollywood stars to the elementary mechanism of film projection In addition, most of Freud's German concepts are represented with their the popularity of cinematic forms lay in its ability to imperfectly reflect reality Death of Psychoanalysis (2004), Todd Dufresne claims that no other figure made more.
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