2020年05月09日

Amazon Prime Video Download Full Snowpiercer

Director - Bong Joon Ho

Rating - 7,4 / 10

runtime - 126 m

Country - South Korea

In a future where a failed climate-change experiment has killed all life except for the lucky few who boarded the Snowpiercer, a train that travels around the globe, a new class system emerges

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This is one of the most amazing sci-fi films I have seen in a while. Simply incredible.
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I've always wanted to see a dystopian film set on a train. Not only did I get one, it ended up being one of the most creative and thoughtful films of 2014.

Most dystopian films- whatever their type or quality- are set in open, vast areas. There is a lot of space for the characters to run around and interact with their environment. This film flips the switch. The characters still get to interact with their environment, but there is a sense of claustrophobia that hangs over every second of the film.

The physical distance covered by the characters in this film is large- and it feels even larger than it is thanks to the diversity present in the art direction, which every car looking and feeling fundamentally different than every other car, which by the way is also the reason why six small subworlds feel larger than one large, boring desert world, a truth game developers seem to have forgotten these days- but it is covered in cramped quarters. Any film in which the heroes' primary objective involves having to navigate through a structure owned by the villain is bound to be tense, but in those films, there is usually at least one big, wide area, like a dungeon or hangar. This film, by virtue of taking place on a train, has no such open area.

You'd think that such a film would feel linear and uninteresting even with the superior art direction. You'd be wrong. While the film does feel like a video game at times- particularly in one section where the heroes open a door and are suddenly faced with about fifty guards- it feels like a good, strong, interesting video game, the kind you never get tired of. While the character work is nothing exemplary, it is more than good enough for this kind of a film, and more than good enough to film feel alive, like it has a beating heart.

The difference between a trip and a journey is that a trip simply takes your body from one place to another, while a trip takes your mind and spirit too. To go back to the video game example, almost all early games- and a good amount of later games- leave you with a sense of emptiness as you explore. You're just going on a trip, not a journey. It does not feel like that at all in this film. The gravity of the situation is apparent on the characters' faces. Chris Evans, who plays Curtis, our lead, is not exactly Marlon Brando, but when a director can get a good performance out of him, it's a good performance because you can tell his entire life's history is informing on the actions he takes.

That's why he makes a good Captain America, and that's why he's good in this film. He has been stuck on this train since he was 17. He's thirty-four now. Snowpiercer is a film that takes place on a snowball Earth that happened 17 years ago. Curtis and some others managed to get out, but they were treated like scum. He has seen multiple revolutions rise and fall. The events of this film are the culmination of his struggle, and they feel like it. That's what makes dystopian works effective; it's not so much the dystopia itself, but rather how it affects the characters.

That brings me to the biggest triumph of this film: it is taps into everything that makes dystopian movies work while avoiding cliché and tedium around every corner. In an America that was drowning in Hunger Games ripoff, this South Korean-Czech production based off a French novel (yes, that's weird, and it shows) gave us exactly what we needed.

This is not to say the film is perfect though. There are a lot of things that don't make sense and twists that fall flat. Whenever it tries to be deep and existential, talking about fate and destiny, it comes off as confused, likely as much of anything because of the differences between Western and Eastern views of this topic.

I wish the character interactions were as detailed and interesting as the technical aspects of the flick. Aside for an astonishingly good revelation scene outside the engine room, these characters don't really pour themselves out to one another. The most emotionally invested I felt was during a (really impressive) battle scene at the end of the first act.

If you're a nitpicker, you might want to skip this one. But if you're someone like me, someone who appreciates film as a living, breathing art form, and prioritizes ideas and concepts and performances over little problems that don't affect the overall quality of the film, you'll enjoy this one for what it is. If nothing else, it's certainly a cure for formulaic dystopian flicks.

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Anyone ever read the Cherub books? Seems like this movie/comic stole a bit from that series.

So it's a lesser version of the movie.
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It seems, the makers of "Snowpiercer" want to superimpose an ecological pyramid over an social pyramid. Interesting, finally some true sci-fi? Hellas, it doesn't come even close to "1984. Brazil" or "Metropolis. Why? Because the train with a clear Malthusian ceiling doesn't take a simple neo-Malthusian precaution/solution: birth control! No birth control; it seems Wilford rather wants to breed some "inferior" Untermensch) children, for cleaning the engine of his Ark-like train. Did I just say "Ark-like" Well, then this movie isn't a sci-fi but a saga about how people are punished by an Old Testament God if they prey to a false idol (the Holy Engine. Far-fetched? No, not as far as the movie's plot.

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Very good movie, the atmosphere for some reason reminded me of The Clockwork Orange.