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2020.08.04
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カテゴリ:カテゴリ未分類

Year 2017.
rating 8,3 of 10.
runtime 1 h 44 m.
Jordan Peele.
.
453629 Votes


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When Chris (Daniel Kaluuya) has to go to visit his girlfriend's parents he worries that they don't know he is black and that this might arouse problems. Yet, upon meeting them they appear more than welcoming until strange occurrences in the house and to him start freaking him out and ultimately lead to the discovery of a terrible mystery.

"Get Out" is possibly the culmination of the last few years of great horror and finally solidifies Blumhouse Productions as one of the main protagonists of the modern horror golden age, other than introducing the movie going public to the mind of writer/director Jordan Peele and his stunning sensibilities in genre filmmaking.

What is possibly the most indicative aspect of this film's incredible success is the molding of tones and, as in all in great genre clashes, it makes the comedy and the horror work together and function on the same beats. That is something that is rarely found and when it does work it works to these incredible effects: there are moments where the tension is building and building to incredible stress levels and it gets released with comedy beats that are genuinely funny and laugh out loud moments as much as they are fu*king creepy twisted moments that add to the white-knuckled thriller aspect of the film.

The picture is intense, really intense. It does not let you breathe for a second and I loved every moment of it, it always had me on the tip of my toes, I did not know what was coming next, sometimes I didn't know whether to laugh or to be scared and it just got me to this place of being totally locked into it with my body, it affected me physically and that is one of the best compliments you could ever give to a motion picture. Peele knows every trick in the box of how to play the audience and he rarely ever makes a false step in guiding us through the story. The scene weave is flawless and every new bit of information is delivered at the perfectly right time and escalates to twists and twists on twists which never lost me and actually ratcheted up the tension.

It is clear that there is a lot of influences moving Peele around and it is a testament to his cinematic ability that they are never bluntly thrown at your face, instead they are used in a complementary way to bring us a delicious mix of everything. Edgar Wright, Quentin Tarantino, Roman Polanski all transpire beautifully through this film, yet possibly the best one that we get is Hitchcock. On one side we see the homages and the subtle similarities that only make the film better on another it just made me remember why Hitchock was and is the best and why his lessons are universal.

There isn't much to point out here on the negative side, the film flows and hits you without having any stumbles on the way. There are little moments where the quirky, off beat atmosphere gets amplified to 110% and you may start to feel a little overwhelmed, but it picks up immediately and doesn't really leave any trace of that on the film. I think that a 10 or so minutes cut down could have benefited the film in making it even more hard hitting as there are little moments that drag and a couple of plot beats that are explained to the audience shamelessly when they could have been entrusted to work it out by themselves.

"Get Out" is a hard hitting Comedy/Horror, incredibly original and fresh and made with a stunning craft in filmmaking, especially considering this is a feature debut. It scared me, it made me laugh out loud and it made me sweat, a lot, I really enjoyed it.


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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.


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The emergence of streaming media has caused the fall of many DVD rental companies such as Blockbuster. In July 2019, an article from the New York Times published an article about Netflix DVD, No Manches Frida 2s. It was stated that Netflix was continuing their DVD No. No Frida 2s with 5.3 million customers, which was a significant decrease from the previous year. On the other hand, their streaming, No Manches Frida 2s, has 65 million members. In a March 2019 study that assessed “The Impact of movies of Streaming on Traditional DVD Movie Rentals” it was found that respondents did not buy DVD movies nearly as much, if ever, because streaming had taken over the market.


So we get more space adventures, more original story material and more about what will make this 21st MCU movie different from the previous 20 MCU films.


Watch Get Out, viewers don’t consider the quality of movies to differ significantly between DVDs and online streaming. Problems that according to respondents need to be improved by streaming movies including fast forwarding or rewinding functions, and search functions. This article highlights that streaming quality movies as an industry will only increase in time, because advertising revenues continue to soar on an annual basis across industries, providing incentives for the production of quality content.


He is someone we don’t see happening. Still, Brie Larson’s resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader. And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together.


Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. He had overtaken Cate Blanchett and Jennifer Lawrence, both of them had run out of statues, but also Charlotte Rampling and Saoirse Ronan.


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Last updated  2020.08.04 20:38:54
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