2020年05月27日

✰YouTube Free✰ Movie Online The Phantom of the Opera at the Royal Albert Hall

Year 2011

genres Drama

Director Laurence Connor

Liked It 7366 Vote

UK

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The RUG is considering some changes though that would enable the play to be performed at more theatres. As it currently is, following all the requirements is quite difficult and the majority of theatres are left out.
I love watching Minnie Driver … as Carlotta! She says: I _ATE my _AT.
I love how this has reignited my obsession with Phantom and captured so many new phantom fans... I've seen this on the stage a few times and viewing it this way has it's pros and u won't be able to capture everything that's going on stage at the same time BUT u get a close up of stuff that u may have missed by being so far back in the audience. Also, even though the music still gives me chills across the personal sound system, there's nothing like experiencing this live in tally recommend seeing this in person and having this on dvd/digital if u can.

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Movie Online The Phantom of the Opera at the Royal albert hall.
The Phantom of the Opera at the Royal Albert Hall is a movie starring Ramin Karimloo, Sierra Boggess, and Hadley Fraser. A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the...
Other Titles
O Fantasma da Ópera no Royal Albert Hall, Royal Albert Hall - Upiór w operze, Phantom of the Opera, Phantom of the Opera (25th Anniversary), Andrew Lloyd Webber's The Phantom of the Opera at the Royal Albert Hall, To fantasma tis operas, El fantasma de la ópera en el Royal Albert Hall: Celebrando sus 25 años, Phantom of the Opera - 25-vuotisjuhlaesitys, Upiór w operze w Royal Albert Hall, The Phantom of the Opera at the Albert Hall, Az Operaház fantomja a Royal Albert Hallban - a 25. évfordulós díszelőadás
Running Time
2 hours
17 minutes
Quality
480p, 720p, 1080p, 2K, 4K
Genres
Romance, Drama, Thriller, Music, Musical
Director
Laurence Connor, Nick Morris
Writer
Andrew Lloyd Webber, Richard Stilgoe, Gaston Leroux
Actors
Wendy Ferguson, Sierra Boggess, Ramin Karimloo, Hadley Fraser
Country
UK
Year
2011
Audio Languages
日本語, اللغة_العربية, English, Deutsch, Français, Italiano, Español, Svenska, Gaeilge, Nederlands
Subtitles
Japanese, اللغة_العربية, Čeština, Tiếng Việt, Português, 한국어, Australia, Filipino, हिन्दी
Andrew Lloyd Webber's beautiful musical hit comes to the Royal Albert Hall. The masked man's obsession with the beautiful Christine (Sierra Bogess) grows. As the Raoul (Hadley Fraser) expresses his undying love for her. Erik (Ramin Karimloo) tricks Christine in a cruel way.

Magnificent! Andrew Lloyd Webber and his musicals are amazing and always will be ♥.
The Phantom of the Opera at the Royal Albert Hall 2 hour(s) and 17 minutes - Movie - 2011 In 1986, Andrew Lloyd Webber's The Phantom of the Opera arrived on the West End stage at Her Majesty's Theatre. Fast forward 25 years and Phantom has achieved global success, millions of viewers, a film adaptation in 2004 and a musical sequel. Now viewers have the chance to experience this phenomenal show right from their own screens. Filmed at the Royal Albert Hall, this stunning performance brings the show to a bigger stage and celebrates its role as one of the biggest shows in theatre history, with speeches, performances and appearances by the original cast and some of the show's most notable Phantoms, including John Owen-Jones and Colm Wilkinson. Starring Ramin Karimloo and Sierra Boggess, Phantom tells the story of a deformed musical genius who lives in the catacombs of the Paris Opera House. Shunned by society, the Phantom seeks revenge in cruel and often violent acts. The Phantom is in love with chorus girl Christine Daaé and has been secretly training her to replace La Carlotta as the opera's reigning diva. However, when Christine is thrust into the spotlight, she is also reunited with childhood friend Raoul. Passion, obsession and chaos ensue as Christine finds herself torn between her love for Raoul and her strange pull towards the mysterious and dangerous Phantom.

That vibrato of Sierra, just amazing.

It was. and worth every penny of the 180 (ouch) that I paid for each ticket.
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2:07 U M. JUST U M. LIKE, I KEEP HAVING TO REWATCH THIS PART. I C A N T. JUST LIKE, WHERE HE GRIPS.
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Here’s what the distributor says about their film: “This romantic musical epic is about a mysterious masked figure, Erik (Butler), who roams the undergrounds of 19th century Paris, centering his activity around (or under) the Opera Populaire, where he tutors a beautiful young soprano, Christine (Rossum), who goes on to upstage the city’s most famous opera singer, Carlotta (Driver). The Phantom thinks he’s found love, until Christine’s childhood boyfriend, Vicomte de Chagny (Wilson) shows up. ”
W hen originally penned in 1914, “The Phantom of the Opera” was not taken as serious literature but a sensational novel. It has spurred a number of horror spin-offs but only became known to the world as a tragic tale of romance and obsession through the ingenious musical on Broadway in the 1980’s by Andrew Lloyd Webber who, after twenty years, finally has the scope to bring his massive production to the big screen.
Opening after the turn of the century in Paris, the various set pieces and props from the Opera House are on auction, a legacy of forgotten memories for those who recall its former days of glory. As the chandelier rises, the dust and cobwebs are blown away from the magnificent architecture, taking us back in time to the height of the Opera’s popularity. Monsieur’s André and Firmin ( Ciarán Hinds, Simon Callow) have recently undertaken the opera’s management and are being shown its intricacies by the former manager, who is overly eager to retire.
Together with their wealthy patron, the young Viscount Raoul de Cheney ( Patrick Wilson), they are introduced to the opera’s grand diva, La Carlotta ( Minnie Driver). Temperamental and demanding, after an incident involving a falling backdrop, Carlotta storms from the stage and refuses to sing for the grand opening that evening. The ever-resourceful and all-knowing Madam Giry (Miranda Richardson), who oversees the ballet troupe and keeps everything behind the scenes in working order, suggests that they replace the grand diva with Christine Dáee ( Emmy Rossum).
The daughter of a famous violinist but orphaned at an early age, Christine has a strong, beautifully powerful voice that resonates throughout the theatre, drawing praise and applause from the crowds and critics alike, and enchanting Raoul, who is eager to remind her of their former childhood acquaintance. He is desirous of taking her out that evening after the performance in celebration of her success, but Christine cautions him on how strict her musical tutor is. Before she can protest, Raoul is out the door to fetch his carriage… and she is not there when he returns. Instead Christine is paid a visit from her “Angel of Music, ” a mysterious composer ( Gerard Butler) who dwells beneath the opera house. He has taken her beneath his wing, teaching her the true art of music and vocal talents, hidden from the world due to a hideous facial deformity.
While his love is silent and eternal, Christine grows to fear his dark nature. Her only salvation lies in Raoul’s ability to free her from the Phantom’s power, but the ghostly presence that haunts the opera house will not relinquish his pupil easily.
Ultimately a tale of romance, compassion, and revenge, “The Phantom of the Opera” is a glamorous spectacle from beginning to end. No expense was spared in bringing the Tony-award winning stage production to film, and it shows in every glorious frame. Candlelight flickering among the arches, the breathtaking first glimpse of the Phantom’s Lair, the beautiful costumes and jaw-dropping architecture. This film is absolutely breathtakingly gorgeous. I’ve never seen such grandeur, and yet it never overwhelms the actors.
Everything audiences know and love from Broadway is here, in addition to a swordfight and the opportunity to view the chandelier crashing to the ground and bursting into flame in a massive explosion of light. Most of the music is intact, but lyrics have been tweaked here and there, and a few alterations made to strengthen and modify the title track. Fans of the original recording may find themselves initially disappointed in the vocal talents if they have not been forewarned. Gerard Butler is no Michael Crawford; his limitations are occasionally apparent, but it’s his presence that is utterly remarkable. He puts such passion into the Phantom that he commands every frame; we are so enthralled with him that we can forgive moments of vocal weakness.
A perfect foil for him is Emmy Rossum. Her youth, beauty, and marvelous voice bring to life a very poignant Christine. Their scenes together are eclectic; sexual chemistry is evident, while her attraction to the quiet Raoul is very different and entirely innocent.
Patrick Wilson’s voice is breathtaking and he brings empathy to a character that normally fades beneath the empowering presence of the Phantom.
The cast member having the most fun is Minnie Driver, whose Carlotta drives the managers absolutely out of their minds and leaves the audience in peals of laughter.
The supporting cast is fabulous but one of the greater performances is by Miranda Richardson as Madam Giry, the formidable ballet instructor whose presence is slightly menacing and mysterious throughout.
There have always been mild content issues to contend with in this epic tale. Musical lyrics often carry subtle sensual undertones, particularly evidenced in Erik’s treatment of Christine in “Music of the Night, ” and their duet for “The Point of No Return, ” which is ultimately part of the opera “Don Juan Triumphant” in which a lord attempts to seduce an innocent young woman. In the former, while Erik encourages his visitor to give way to her senses and embrace the quiet, tranquil darkness that is his realm, he runs his hands over her in a briefly lingering caress. PoNR ends with violent and purposefully sensual embrace while the lyrics reflect on the lovers having “reached a point of no return, ” intimating that they are now to share physical passion and wondering what new discoveries will be made entangled in one another’s arms.
The Victorian audience in the Opera House is scandalized. The managers muse on whether Raoul has slept with Christine. She accuses the Phantom of intending to indulge in his “lust for flesh, ” and Erik bemoans that his face has prevented him from such possibilities. One of the stagehands moons Carlotta as she passes by.
Female nudity often appears in the Opera House sculptures. There’s also a dwarf who likes peeking under skirts, and very mild bawdiness appears briefly in an opera. One of the stagehands is strangled and dropped above the stage to terrify the ballet dancers. A boy is beat with a cane in a freak side show and then murderously turns on his attacker. A swordfight draws blood but the victor shows mercy at the intervention of Christine. A chandelier rips from the ceiling and comes crashing down into the audience, creating a massive explosion as people flee for their lives. Carlotta is hit by a falling backdrop but not harmed.
The Phantom becomes physically violent with Christine on two occasions, once striking her to the ground after she’s torn free his mask, and then dragging her to his lair by force. There are a half dozen mild profanities and abuses of deity. The Phantom has many negative and even murderous flaws but is not painted as the villain of the piece; he is empathetic even when acting for his own benefit, his actions made to seem justified through the torments of his previous public life. While he occasionally kills for sport and takes pleasure blackmailing the managers into paying his expensive salary, ultimately he is redeemed through compassion and love.
For a follower of Christ, what is LOVE —a feeling, an emotion, or an action? Answer
TRUE LOVE —What is true love and how do you know when you have found it? Answer
There are many moral discussions to be talked about after viewing the film, including whether or not the Phantom was given to madness or just obsession, if we are to have compassion for people with deformities or base our feelings on their actions (Christine tells him that his cruelty has turned her tears of empathy to tears of hatred), and if the heart can overpower hideousness. Raoul and Christine are both asked to make sacrifices for love. Audiences will have conflicted feelings about this one. Some may see the redemption of Christ in the role of Raoul and Christine, who eventually bring light into the Phantom’s life, but others may be shocked at the darkness pervading the script.
The film may not be perfect, but for a Phantom “Phan” such as myself, was a remarkable and emotional journey into familiar places and events that have until now remained only on the stage.
Violence: Mild /
Profanity: Mild /
Sex/Nudity: Minor
See list of Relevant Issues—questions-and-answers.

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Her Majesty's Theatre London
Now in its 34th glorious year, The Phantom of the Opera continues to mesmerise and entrance audiences at Her Majesty's Theatre, London and around the world.
Now in its 34th glorious year
Winner of 70 major theatre awards
Seen by more than 140 million people
Meet Our Cast
Josh Piterman
in the role of
The Phantom
The Phantom marks Josh’s West End debut and he is so grateful to be gifted the opportunity to perform such a wonderfully iconic role. Josh is a well established Australian musical theatre performer and classical crossover artist who has worked prolifically since he graduated from Federation University with a Bachelor of Arts (Music Theatre) in 2006. Josh kicked off his career performing with the International pop opera group The Ten Tenors and he then made his mark as Tony in the 2010 Australian production of West Side Story. His other musical theatre credits include Bustopher Jones/Gus/Growltiger in the 2016 season of Cats, a role that won him the Green Room Award for Best Supporting Actor in A Musical; Edward in Willy Russell’s Blood Brothers; Corny Collins in the UK tour of Hairspray; The Caliph in Kismet; Giuseppe in The Light in the Piazza; Jamie in The Last Five Years and most recently Gerry Goffin in the Australian tour of Beautiful: The Carole King Musical. In 2018 his debut self titled album went to number 1 on both the Aria and ITunes Charts (Classical Crossover) in Australia. Josh would like to take the opportunity to thank his management in Australia and the UK, as well as his beautiful family for their constant love and support.
Wesbite:
Kelly Mathieson
Christine Daaé
Kelly grew up in Scotland and first began ballet lessons at the age of two. She then went on to train with the Scottish Ballet company and it was during this time that her voice was discovered. After studying at the Royal Conservatoire of Scotland Junior Academy, she moved to London to study at the Royal College of Music. After graduating in 2015 she continued her training in Vienna, Austria.
Roles include: Barbarina, 1st Bridesmaid ‘Le Nozze de Figaro’ (Scottish Opera), Actress ‘Agrippina’ (Theater an der Wien), Euridice ‘Orpheus and the underworld’ (AOE), Pamina ‘Die Zauberflöte’, Frasquita ‘Carmen’, Susanna ‘Le Nozze de Figaro’ (Puglia Opera Festival)
Kelly is delighted to be joining the Phantom Company and to be making her West End debut in her dream role.
Bridget Costello
Christine Daaé at certain performances
New Zealand-born Bridget Costello is a trained singer/actress/dancer who graduated from the Royal Academy of Music with a Postgraduate Diploma in Musical Theatre last year. Since graduating she has played the title role in ‘Princess Ida’ at the Finborough Theatre and performed as a singer at Thursford Christmas Spectacular in Norfolk. While at the Academy, Bridget played the roles of Amy March in ‘Little Women’ and Ivy in ‘On the Town’.
Before moving to London she studied at the New Zealand School of Music completing a Bachelor of Music and Postgraduate Diploma in Classical Performance Voice, and performed the role of Tytania in Britten’s ‘A Midsummer Night’s Dream’. She has worked as a member of the NZ Opera Chorus in ‘The Bartered Bride’ and ‘Madame Butterfly’.
Danny Whitehead
Raoul, Vicomte de Chagny
Training: Guildford School of Acting
Whilst training Danny was awarded the BBC Performing Arts Award, the Sir Michael Redgrave Award and the Ian Fleming Award.
Theatre: u/s Enjolras in Les Misérables (Queens Theatre, West End), u/s The Wizard and Dr Dillamond in Wicked (UK Tour), u/s Tobias in Sweeney Todd (Welsh National Opera and UK Tour), u/s Lt. Cable in the Lincoln Centres production of South Pacific (London’s Barbican and UK Tour), Fons in 1418 – The WW1 Arena Musical (Mechelen Arena, Belgium), u/s Dickon in Secret Garden (UK Tour), Breaking The Code (English Theatre, Frankfurt), Brian May’s Anthems (Royal Albert Hall), Rags (Lyric Theatre).
Danny’s Television appearances include – The Olivier Awards 2012 (BBC, Royal Opera House), This Morning (ITV) and The Sondheim at 80 Prom (BBC, Royal Albert Hall).
All Cast.

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Love all these phantoms (especially Warlow, Joback, and Karimloo) but I highly recommend looking UP Franc D'Ambrosio in the role if anyone hasn't already.
Movie Online The Phantom of the Opera at the Royal Albert hall.
Who comes back after watching it because 'the phantom of the opera' is literally 'inside my mind' I can't get rid of the melody of this song after watching the albert hall performance lmao...
Only 1 dislike<3<3<3<3<3<3<3<3<3<3<3.
By far my favorite Christine.
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Their voices are perfect!I can keep listening without being bored!thanks to them I started to do a lot of workout for singing like this too! wonderfull! this sure is the best version <3.

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Movie Online The Phantom of the Opera at the royal albert hall.
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After my 1st one on Broadway I was blown away. Then in London I was blown away again. Then saw anotherone one Broadway plus a couple more in London. Then the 25th anniversary performance which was so grand I wonder if it ever will be surpassed. But then again I think (I hope really) Cameron Mackintosh will just do that anyhow.

Musical Drama based on Andrew Lloyd Webber's celebrated musical phenomenon. The Phantom of the Opera tells the story of a disfigured musical genius (GERARD BUTLER) who haunts the catacombs beneath the Paris Opera, waging a reign of terror over its occupants. When he falls fatally in love with the lovely Christine (EMMY ROSSUM), the Phantom devotes himself to creating a new star for the Opera, exerting a strange sense of control over the young soprano as he nurtures her extraordinary talents. MPAA Rating: PG-13 (c) 2004 Warner Bros. Entertainment Inc. All Rights Reserved.

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This was the BEST gift ever given to us during this quarantine. I think I broke the replay button after watching it too many times 😩😂 I think I'm having withdrawal symptoms after they took it down. Lol This show is so amazing, amazing cast, and amazing production. Peace and love to all 🙏 #ultimatefavoritebroadwayshow #phantomoftheopera.