Year 2019.
directors J.J. Abrams.
Action.
writer Derek Connolly.
duration 2H 22 Minute.
audience score 309078 vote
★★★★★★★★★★★★★★★
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Star wars skywalker trỗi dậy.
Star Wars: Skywalker Trá»i Dáºy.c.
Star wars skywalker trỗi dậy phimmoi.
Distributor Walt Disney Studios Motion Pictures See full company information
Opening $177, 383, 864 4, 406
theaters Budget $275, 000, 000 Release Date Dec 20, 2019 MPAA PG-13 Running Time 2 hr 22 min Genres Action
Adventure
Fantasy
Sci-Fi In Release 133 days/19 weeks Widest Release 4, 406 theaters
IMDbPro
See more details at IMDbPro.
Nominated for
3
Oscars.
Another
7 wins & 35 nominations.
See more awards »
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Edit
Storyline
While the First Order continues to ravage the galaxy, Rey finalizes her training as a Jedi. But danger suddenly rises from the ashes as the evil Emperor Palpatine mysteriously returns from the dead. While working with Finn and Poe Dameron to fulfill a new mission, Rey will not only face Kylo Ren once more, but she will also finally discover the truth about her parents as well as a deadly secret that could determine her future and the fate of the ultimate final showdown that is to come.
Written by
Blazer346
Plot Summary
Plot Synopsis
Taglines:
The Saga Concludes.
See more »
Did You Know?
Trivia
This is the only Star Wars sequel trilogy chapter to not use 70mm IMAX film cameras. See more »
Goofs
Throughout the final battle, the armada of Star Destroyers float above Exegol without any obvious downward thrust. Resistance ships are able to fly beneath them, uninterrupted by any force that is keeping them in the air, despite the planet obviously having a gravitational pull similar to that of Earth, judging by the manner in which Rey and Palpatine walk on its surface. See more »
Quotes
[ first lines]
Emperor Palpatine:
At last. Snoke trained you well.
Kylo Ren:
I killed Snoke. I'll kill you.
My boy, I made Snoke. I have been every voice...
Snoke:. have ever heard..
Darth Vader:.. your head.
The First Order was just the beginning. I will give you so much more.
You'll die first.
I've died before. The dark side of the Force is a pathway to many abilities some consider to be... unnatural.
What could you give me?
[... ]
Soundtracks
Oma's Place
Written, Produced, and Performed by Ricky Tinez and J. Abrams See more »
Frequently Asked Questions
See more
»
Details
Release Date: 20 December 2019 (USA)
Also Known As: Star Wars: Episode IX
Box Office
Budget: $275, 000, 000
(estimated)
Opening Weekend USA: $177, 383, 864,
22 December 2019
Cumulative Worldwide Gross: $1, 074, 144, 248
See more on IMDbPro »
Company Credits
Technical Specs
See full technical specs ».
Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley
The surviving members of the resistance face the First Order once again, and the legendary conflict between the Jedi and the Sith reaches its peak bringing the Skywalker saga to its end.
Star Wars: Skywalker Trá»i Dáºy n
Star Wars: Skywalker Trá»i Dáºy.e.
March 20, 2020
BLU-RAY REVIEW:
Street Date 3/31/20;
Disney/Lucasfilm;
Sci-Fi;
Box Office $515. 2 million;
$29. 99 DVD, $39. 99 Blu-ray, $39. 99 UHD BD;
Rated ‘PG-13’ for sci-fi violence and action.
Stars Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, Ian McDiarmid, Carrie Fisher, Mark Hamill, Billy Dee Williams.
In the wake of divisive fan response to Disney’s approach to “Star Wars” since its purchase of Lucasfilm, the studio turned to J. J. Abrams to deliver a final chapter to the nine-episode trilogy of trilogies that has been dubbed “The Skywalker Saga. ”
Watching Rise of Skywalker, however, it quickly becomes evident that the studio and the creative team in place to make these new “Star Wars” films had no firm plans in place for the overarching story they were trying to tell, let alone connecting them to the previous six chapters.
The resulting concluding chapter, while a fun, entertaining, grand-scale adventure filled with franchise references for fans to enjoy, still comes across as a bit of a disjointed mess, picking and choosing which story threads from the previous films to carry through (if not outright retconning them) as if on a whim, while introducing vast and sometimes bizarre new ones that don’t stand up to too much scrutiny (or, worse, require fans to turn to myriad tie-in books to explain it). While the “Star Wars” franchise has never been a stranger to these kinds of strained plot mechanics, the rumored behind-the-scenes troubles at Lucasfilm have made the seams of Rise of Skywalker especially noticeable, and the accompanying plot developments rather jarring.
So there are two ways to look at Rise of Skywalker — it’s fine for what it is, and there’s plenty to like in it, but it’s also a reminder of what could have been.
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Instead of flowing from the natural plot implications of the previous episode, The Last Jedi (which, contrary to the vocal complaints of a few haters, were abundant enough to fuel a decent third act, as evidenced by the earlier script drafts floating around the Internet), the new film decides to drop a plot nuke right at the beginning: Emperor Palpatine (Ian McDiarmid) never really died and has been manipulating things the whole time. Leia’s Resistance, still recovering from the previous film, then turns its focus on fighting Palpatine, sending Rey (Daisy Ridley), Finn (John Boyega), Poe (Oscar Isaac), Chewbacca, C-3PO and BB-8 on a mission to find a device containing the location of the Emperor’s hidden base. Meanwhile, Kylo Ren (Adam Driver) wants to eliminate Rey in exchange for the Emperor’s powers. Be prepared for some big reveals.
While reintroducing the Emperor, who was the underlying threat for the first six movies, is as good enough a reveal as any for how the Empire returned in the guise of The First Order for these films, its sudden inclusion in the third film without any clues planted in the previous two just calls attention to the lack of planning. For example, a properly planned trilogy with Palpatine as the hidden villain wouldn’t have bothered to make Snoke an actual person in the second chapter when the hologram form he displayed in the first movie serves as the perfect cover, a la The Wizard of Oz.
There’s also the fact that the Emperor’s return smacks of similarity to storylines from the “expanded universe” of “Star Wars” books, comics and video games that the studio and Abrams had very publicly said were no longer canon. If the end result is just going to borrow ideas from them anyway, why not adapt them outright? The problem with trying to replace them with something new usually means that if whatever you replace them with isn’t better, fans aren’t going to be too happy.
The big wrinkle in the plan, of course, was the unfortunate death of Carrie Fisher after the filming of Last Jedi. With Leia poised to play a significant role in Episode IX, original story plans were scrapped, and a new screenplay was constructed to build scenes around unused footage of Fisher shot by Abrams for 2015’s The Force Awakens. The obvious limitations of this had a ripple effect on the rest of the story, while Abrams’ presence in the director’s chair was meant to assure fans that the saga was in good hands, given how much of a box office hit Force Awakens turned out to be.
Of course, the dirty little secret that many fans didn’t want to admit about The Force Awakens when it first came out was how, as a shallow remake of the original 1977 movie, it wasn’t a very meaty beginning for a new trilogy meant to continue the larger story. For all its faults, Rian Johnson’s The Last Jedi at least tried to be about more than the sum of its parts, while re-framing the franchise for a new generation.
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Abrams’ return to Rise of Skywalker means the film, at the very least, benefits from his strengths of striking visuals and dynamic action. There are some great scenes in the film that will make fans smile, and truth be told, it’s a more enjoyable viewing experience than Force Awakens simply for being bold enough in its own right and not just wholly remaking an earlier film. However, when adding Rise of Skywalker to the context of Abrams’ whole career, it’s clear he talks a better game than he delivers.
This is readily on display in the two-hour The Skywalker Legacy behind-the-scenes documentary included with the film’s home video presentation. The program is a masterstroke in editing as it contrasts scenes being filmed for Rise of Skywalker with similar scenes from the original trilogy, complete with new and archival interviews with the same actors discussing their roles and the saga in general. It’s a fascinating piece filled with wonderful nostalgia, but also serves to highlight what a lesser copy these new films have been to those of the George Lucas era.
Speaking of which, for a film meant to conclude a nine-chapter saga, Abrams’ films are rather devoid of references to the prequels, despite where revisiting them would make more sense for the story. But, really, who can blame him for focusing almost all the screentime on the new characters he created for this new trilogy, since he was given the chance to do so? In Rise of Skywalker, Abrams even introduces a new little droid called D-O that looks like it was made from a desk lamp, which he himself voices as the droid comments on the scene going on, as if telling the audience how they’re supposed to feel about it (literally saying “sad” or “happy, ” etc. ).
In addition to the visual candy, the film’s most reliable highlight, as usual, is the score by John Williams, who does his level best to inject depth into the proceedings through his music. His efforts are the focus of an 11-minute digital exclusive featurette, but there’s also a segment about his work in the feature-length documentary. In his cameo as an alien bartender, Williams is surrounded by mementos of the first 51 of his Oscar-nominated scores. His 52nd nomination came via Rise of Skywalker itself.
The remaining extras are all behind-the-scenes featurettes, the best of which is “Warwick & Son, ” a five-and-a-half-minute look at actor Warwick Davis’ previous roles in the franchise and how he was joined by his son for a cameo in Rise of Skywalker.
Other featurettes include a 14-minute look at filming a speeder chase, a six-minute video about creating an alien celebration in the deserts of Jordan, a five-and-a-half video about the creation of D-O, and an eight-minute look at the puppetry and makeup effects used to create the film’s creatures.
Vudu offers a couple of additional videos: a three-minute “Legacy” trailer and an eight-minute “End of the Saga” featurette.
It’s a bit disappointing that there were no deleted scenes included, given how much the filmmakers have been discussing in promotional interviews all that was cut from the film, but don’t be surprised if those and additional extras, like an audio commentary track, are one day included in an expanded home video release.
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2019 In STAR WARS: THE RISE OF SKYWALKER, the riveting conclusion of the landmark Skywalker saga, new legends will be born—and the final battle for freedom is yet to come.
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