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99207 Vote /
/
Genre=Romance /
Directed by=Greta Gerwig /
2 h 15 Minutes /
Ratings=8,1 / 10

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While I still believe that the 1994 film is the best version of Louisa May Alcott's classic novel, Greta Gerwig's version is an excellent film in its own right. The casting, with the exception of one choice is superb. Dern, Pugh, Watson, Scanlen and Chalamet are outstanding but the film belongs to Saoirse Ronan. Part of it has to do with the fact that Gerwig chose to tell the story from her perspective and she had by far the most screen time. But it is one thing to be the focus of a film and another to deliver the goods. To say that the talented Ronan delivered the goods is an understatement. Her portrayal of the free-spirited Jo even surpassed the great work Winona Ryder did back in 1994. The one issue I have with the casting is the choice of only one actress playing Amy. While Pugh did a great job, it would have been better to cast a younger actress to play the younger version of Amy. Because some of the scenes just did not have the right feel. I also preferred the linear story telling of the earlier film. But these are minor gripes in an otherwise emotionally rich, funny and exceptionally well-acted motion picture. One of the years best.

Outstanding performances by all the actors and wonderful storytelling. A must see.
When something is unrealistically depicted, I get annoyed and then lose interest. The false narrative of blacks and whites socializing together in Concord Massachusetts in the mid nineteenth century is ridiculous: a scene with blacks and whites at a dance in Concord. Really? Then in another scene of the busy N.Y.C. streets, they are shown dressed in fine clothing. I wish our history was as egalitarian as that at that time or even 100 years later. Another incongruous detail is in the attic of the so-called poor March family. This is where the March sisters put on their improvized skits. On the wall of the attic is an elaborate curtain arrangement, when one of the sisters couldn't afford the fabric for a new dress.

Then at the end when Jo March had become a successful author, she opened a progressive school, that was shown to be integrated. If you want to believe that, look at the history of even the very liberal and progressive Oberlin College, which had its own resistance to racial integration throughout the nineteenth century.

Let's not sugar coat history to make the story line more compelling.

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